My studio is in a small island house built in 1940, with no room for easels or even large wall space. But the back end is full of windows, and I love working in the light. I have to block direct sunlight with a piece of cardboard, but on overcast days the light is just right. I can look out across a farm field and a bank of trees filled with squirrels, chipmunks, and a variety of bird life. You know when the hawks come through as every creature freezes in place, and then they all scatter.
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