‘Ultras” – hardcore football fans renowned for their stunning stadium displays and gang-like loyalty – were once a subculture confined to Italian stadiums. But since the late 1960s the movement has spread through global football terraces and become a more elevated cultural obsession.
Books on the subject include my own Ultra and James Montague’s 1312 (the numbers stand for ACAB, an abbreviation of “all cops are bastards”). Netflix has not only commissioned one film, Ultras, about a Neapolitan gang, but also three longer series: Puerta 7 (based in Argentina), Furioza and The Hooligan (both set in Poland).
