If you’ve ever wondered what it would feel like to be as insignificant as a kernel of corn, you can now get a good idea in Kristiansand, a city in southern Norway. Standing on the fourth floor of its new Kunstsilo art museum, carved out of an old 1930s grain silo, you can peer down a vertiginous concrete tube that plunges towards huddles of ant-like people below. Or you can look up, through more concrete shafts, towards tiny circles of sky. You can mimic the journey of a grain by climbing a spiral staircase inside one of the cylinders, or test your nerves by walking on a glass-floored terrace suspended over another shaft, floating above a tubular abyss. It’s a dramatic spatial spectacle – and we haven’t even got to the art yet.
Once home to 15,000 tonnes of grain, this mighty concrete mountain is now a repository of the most important collection of Nordic modern art in the world. It is a 5,500-strong haul spanning paintings, drawings, ceramics, sculpture and full-size architectural installations, telling the story of the past century of abstraction, surrealism and expressionism across Norway, Sweden, Finland and Denmark – inside one of the ultimate symbols of modernity itself.
