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The Guardian - US
The Guardian - US
Lifestyle
Veronica Esposito

Amy Sherald: ‘Sublimity in Black life can be seen in our ability to persist’

a woman dressed in a white cape
‘I wanted to think very strategically about what kind of voice I would have in the art world’ … Amy Sherald. Photograph: Olivia Lifungula

The portraitist Amy Sherald is largely known for two paintings she made of Black Americans whose lives have intersected with US history – the first was the official portrait of the former first lady Michelle Obama, and the second was a posthumous image of victim of police brutality, Breonna Taylor, whose murder was a significant factor in sparking the racial uprisings of 2020. Sherald is also well-known for her choice to render the skin color of her Black subjects in grisaille – that is, shades of gray.

Recognized as a major talent in the American art world, Sherald was given by the San Francisco Museum of Modern Art a sizable survey exhibition, one that is worthy of her immense talent, dedication and originality. Titled Amy Sherald: American Sublime, the show collects nearly 50 of her works across the major sweep of her career since 2007, including the aforementioned portraits of Obama and Taylor. The show also features newly commissioned work that Sherald is debuting – these include the opening triptych Ecclesia (The Meeting of Inheritance and Horizons), as well as the closer Trans Forming Liberty in which Sherald poses a trans woman as the Statue of Liberty.

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