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The Guardian - US
The Guardian - US
Entertainment
Veronica Esposito

Alejandro González Iñárritu on his Amores Perros art show: ‘This is an anti-AI exhibition’

‘I wanted to shoot everything, I was probably running the camera all the time,’ said Iñárritu of Amores Perros.
‘I wanted to shoot everything, I was probably running the camera all the time,’ said Iñárritu of Amores Perros. Photograph: Picasa

Alejandro González Iñárritu, the Mexican director, has been widely celebrated for his innovative approach to storytelling. His 2000 debut, Amores Perros, was labeled a “hypertext film” for how its three main threads spiraled out of a central car crash, but were otherwise disconnected. In an interview where he discussed his new Lacma show, Sueño Perro – which sees Iñárritu return to hundreds of hours of footage that never made it into his debut movie – he shared that his father was the one who inspired his unique approach to film.

“My father was naturally a great storyteller,” Iñárritu told me via video from Los Angeles. “He always started with what was almost the end of the story, so he threw you a hook, but then he went back to the middle. He was a great storyteller, always finding ways to get new hooks here and there, to get you to listen to a long story.”

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