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The Guardian - UK
The Guardian - UK
Entertainment
Katie Hawthorne, Ben Beaumont-Thomas and Laura Snapes

Add to playlist: the slow-burn psychedelia of Acolyte and the week’s best new tracks

Macabre … Acolyte.
Macabre … Acolyte. Photograph: John Mackie

From Edinburgh
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As fixtures of Edinburgh’s gig-turned-performance art scene, Acolyte’s eerie, earthy psychedelia is just as likely to be found on stage at the Traverse theatre as in a steamy-windowed Leith Walk boozer. Their looped bass lines and poet Iona Lee’s commanding, velvety voice conjure a sense of slow-burn hypnosis – and just like their music, Acolyte are glamorously unhurried. They’ve released only a handful of songs in the seven years since Lee and bassist Ruairidh Morrison first started experimenting with jazz, trip-hop and spoken word, but now the group (with Daniel Hill on percussion and Gloria Black on synth, also known for throwing fantastical, papier-mache-costumed club nights with her former band Maranta) are gathering pace.

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