I have long argued that Shakespeare’s history plays have more urgent relevance today than his tragedies. The issues they raise – such as the nature of good governance and the difficulty of deposing a tyrant – are precisely those that still haunt us. Henry V, shortly to be given a new RSC production directed by Tamara Harvey, seems especially timely as we are living in a world where the threat of war is painfully real.
It is also a play that constantly changes its meaning. James Shapiro wrote in the Guardian in 2008: “There’s no better way to know which way the cultural and political winds are blowing than by going to see a performance of Henry V.” He reminded us that in 1599, when the play was first performed, playgoers anxiously waited to hear whether an Irish uprising had been suppressed.
