Almost 60 years after former prime minister Harold Holt began to dismantle the White Australia Policy, The Neighbour at the Gate at Sydney’s National Art School Gallery presents a thoughtful examination of the consequences when good neighbours become good friends.
Street posters promoting the exhibition feature an image of a magpie. Advertising always distorts. Pardu (Tirritpa) by James Tylor, who has Kaurna and Mãori heritage, is a series of groupings of exquisite small bird daguerreotypes. Their shadowed silver surface gives the impression of antiquity, which is Tylor’s intention.
