Shenanigans reign in this neck of the woods. Boogying back to the Bridge after six years, Nicholas Hytner’s rollicking production of Shakespeare’s great comedy feasts on bawdy mischief and aerial antics. Radiating charisma, Emmanuel Akwafo’s uninhibited Bottom instructs his ragtag group of am-dram players to rehearse “most obscenely and courageously”. Hytner’s production, with somewhat more rigour and expertise, takes note.
Bunny Christie’s luscious set of beds, leaves and trapdoors has us at once rising from the murky depths of the forest and floating among the clouds of sleep. Half the audience mill amid the foggy underland, skilfully shuffled by stage management, while the rest of us sit up among the fairies. The immersive setup complements the play’s shapeshifting unreality; in this world, we become another set of magical creatures lurking in the shadows.
