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The Guardian - AU
The Guardian - AU
Lifestyle
Rebecca Lowrey Boyd

A job that changed me: At the one-hour photo lab, customers were determined to immortalise their genitals on 35mm

Rebecca Lowrey-Boyd in her Rabbit Photo uniform in 1995
‘Film was expensive, so people saved it for big occasions, not brunch. You aimed, pressed the button and hoped you hadn’t cut the birthday kid’s head off’: Rebecca Lowrey Boyd in her Rabbit Photo uniform in 1995. Composite: Guardian Design/Rebecca Lowrey-Boyd

I didn’t apply for a job at my local one-hour photo lab out of a noble desire to serve the community’s photographic needs. I wanted a part-time job to fund my full-time uni lifestyle – specifically, the kind of money that turned into festival tickets, Dr Martens and Poppy King lipstick.

Rabbit Photo was a mini-lab wedged into the corner of the Westfield Figtree shopping centre like a forgotten Tetris piece. On Thursday nights and Saturday mornings, I’d slip on my white cotton gloves and take my place behind the counter, ready to accept canisters of Fuji film.

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