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The Guardian - UK
The Guardian - UK
Entertainment
Peter Bradshaw

A Forgotten Man review – watchable account of central figure in Swiss wartime guilt

Haunted … Michael Neuenschwander in A Forgotten Man.
Haunted … Michael Neuenschwander in A Forgotten Man. Photograph: Publicity image

Switzerland’s strange postwar burden of quasi-collaborator-guilt, with all its symptoms of evasion and denial, is the theme of this intimately presented black-and-white movie from writer-director Laurent Nègre. It is inspired by the real-life case of Hans Frölicher, the Swiss ambassador to Nazi Germany from 1938 to the end of the war, much approved of by the Nazi elite due to his submissive pro-German loyalty. It is also a free adaptation of The Envoy, Thomas Hürlimann’s stage-play on the same subject.

Michael Neuenschwander plays the ambassador, here fictionalised as Heinrich Zwygart; he returns to Switzerland and his handsome family estate in 1945, a haggard and haunted figure with a drink problem, yet outwardly fiercely correct as befits a Swiss public figure and civil servant. Sensing that he might be made the scapegoat for Switzerland’s embarrassment, he has a new plan to prove his enduring patriotism by being as sycophantic to the Americans as he was to the Germans.

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