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Elvis Costello and playwright Sarah Ruhl have taken Elia Kazan’s unsubtle but prescient 1957 movie about the way the media creates monsters and turned it into a brash musical parable for the Trump age.
Larry “Lonesome” Rhodes is an Arkansas hobo who becomes a radio and TV star then a political kingmaker, but his plain-speaking common touch is built on lies, contempt and egotism. Today he’d have a podcast and a social media grift, peddling cryptocurrency and conspiracy theories.