It starts with a literal scream, a cry of pain from every player in the orchestra. The Ukrainian composer Anna Korsun’s piece Terricone is one of the most shattering creative acts of the war that began four years ago this month. Korsun was born in Donbas, where terricones, the slag heaps of the mining industry, bear witness to the way humankind has always reshaped the landscape. Her composition was premiered by the Bournemouth Symphony Orchestra and its then chief conductor, the Ukrainian Kirill Karabits, at the start of 2023 – when news of the invasion brought worldwide shock and horror.
I’ll never forget being in Poole for that performance, as the vividness of it brought the fear and desolation of the emotional landscapes of the war to the audience. The Russian conductor Vladimir Jurowski – a vocal critic of Putin’s regime – brought the powerful piece to London last month, as part of a bold Ukrainian/Russian programme with the London Philharmonic Orchestra.
