Rusty House on the Rye is the result of a new home extension in Peckham, London, that transforms a 1950s terrace into a modest local landmark. Local architecture firm Studio on the Rye worked hand in hand with the house’s long-term owner to practically double its footprint, taking advantage of a prominent corner site close to Peckham Rye Station to extend the property with a Corten-clad volume.
Set in a local conservation area, the house has been in the same hands for 14 years, with the owner always keeping a weather eye on the potential for expansion. It wasn’t until the pandemic, stay-at-home working and a sudden cavalcade of necessary upgrades that she decided to bite the bullet and engage an architect. ‘It was always in the back of my mind, but it seems like a massive job,’ she says.
After a swift architect audition, as well as some inquisitory calls to the local planners, the client appointed Sarah Borowiecka, director of Studio on the Rye, to oversee the expansion. Her brief was straightforward – a larger kitchen, extra bedroom and a study – but ‘I was in Sarah’s hands about how the additional space was configured.’
For Borowiecka, a fourth-generation architect, the project was an exercise in both townscape and architectural design. The prominent site meant any new addition had to ‘turn the corner’ between two key local streets, as well as effectively forming a ‘gateway’ to the area. The intention was to keep the new-build element ‘subservient’ to the main house, with a different material treatment even though it follows the same pitch and angle of the terrace, with shadow gaps that mark the boundary between old and new.
Inside Rusty House on the Rye
The new volume still contains plenty of space to fulfil the client brief, which also specified direct side access to the garden. A new wooden fence runs along the perimeter with the main road, and there’s enough space between it and the angled side wall of the extension to accommodate a generous path and gate. This leads round to a wide rear garden, with a fully glazed corner of the new kitchen and dining room. Above this is the new principal bedroom, together with a dressing room and ensuite shower room.
Here Borowiecka has pushed the ceiling heights up to the pitched roof, with high-level electrically operated rooflights above the bedroom, bathroom and stairwell. Although the main bedroom has one offset wall, there’s still ample space, an effect heightened by the tall ceilings and the corner frameless windows, supplied by Fluid Glass, that look up and down the main road. Clever MDF shutters have been built into the walls to allow these windows to be completely blacked out at night.
Externally, the new addition is clad entirely in Corten steel, with large panels that wrap around the façade and roof, their expert detailing belying Borowiecka’s experience. ‘It was a material I hadn’t used before,’ she says, ‘so there was a lot of research into fixings. It’s more challenging to detail because although it looks simple it’s monolithic and needs precision.’ With just 10mm tolerance between each panel, the architect is especially proud of the gutter details, front and rear, which use a simple slot to conceal the internal drainpipes.
The Corten makes for a striking pairing with the brick of the original 1950s house. The sense of solidity is enhanced by the large frameless glazed openings, including a long slot window above the kitchen counter that looks back at the nearby railway bridge. All the kitchen cabinets and fittings were designed by Studio on the Rye, with materials that were sourced from UK suppliers.
Throughout the new addition there are full-height doors that slide back into the walls. ‘I like open plan,’ the client says, ‘but sometimes you need things to be separate.’ Although the original front door placement has been retained, the original staircase was completely stripped out and replaced with a bespoke timber and metal open-tread stair.
The existing room layout was also retained, with a double reception room downstairs and two bedrooms and bathroom upstairs. Two steps lead up to the new principal bedroom in the addition, a result of the raised ceiling heights through the new structure. At just over 65 sq m, the existing house was modest; the extension had made it a much roomier 106.5 sq m.
Laden with insulation and now triple glazed, the modest 1950s house has been expanded and brought into the 21st century without pastiche or imitation. ‘It’s a very visible project – it’s one of the things that I’ve enjoyed most about it,’ says Borowiecka. The client adds that she’s only ever had positive comments from passers-by, adding that the house is now ‘better than I could ever have expected’.
studioontherye.com, @studioontherye
Photography by French + Tye
