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The Guardian - UK
The Guardian - UK
Lifestyle
Interview by Chris Broughton

A bride wades through a flood to get married: Aaron Favila’s best photograph

A bride in a white gown and veil stands in floodwater before ornate carved wooden doors
‘All that lace was never meant to be in water’ … the bride reaches the church with her dress afloat. Photograph: Aaron Favila/Associated Press/World Press Photo 2026

I’ve been working as a photographer for the Associated Press bureau in Metro Manila for nearly 30 years, and in that time floods in the Philippines have become increasingly common. One day last July, I returned to the office after a morning spent in my waders, photographing the after-effects of a monsoon that had flooded much of Manila and the surrounding areas.

While I was having lunch and drying out, I got a message from a photographer friend on assignment in Bulacan, the next province. She’d been shooting at Barásoain Church, a historic building that was flooded, and as she’d made to leave, someone had said: “Don’t you want to wait for the wedding?” It was hard to believe people were getting married in those conditions, but she told me the ceremony was due to start at three, which gave me an hour to get there. Even in ideal conditions it would have taken at least 40 minutes, but I jumped in a car with the AP driver and we made it to within a kilometre or two of the church, by which point the water was too deep to continue.

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