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The Guardian - UK
The Guardian - UK
Entertainment
Toby Litt

A Ballet of Lepers by Leonard Cohen review – violent literary beginnings

Images that later blossomed into songs… Leonard Cohen.
Images that later blossomed into songs… Leonard Cohen. Photograph: GAB Archive/Redferns

Long before he wrote Famous Blue Raincoat or Last Year’s Man, Leonard Cohen already knew – with painful exactness – who he wanted to be. In a short story dating from 1957, collected here for the first time, he details his 13-year-old self’s “heroic vision” of a charismatic future persona: “I was a man in the middle-twenties, raincoated, battered hat pulled low above intense eyes, a history of injustice in his heart, a face too noble for revenge, walking the night along some wet boulevard, followed by the sympathy of countless audiences.”

Swap in “mid-70s”, take off the raincoat to reveal the natty suit beneath, transport the life-bruised man from wet boulevard to centre stage, and behold the Cohen I saw perform in 2008, everything the 13-year-old Leonard might have wished for.

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