In the early 2000s I enrolled in a music production degree. The university’s studios were equipped with PCs running both Pro Tools and eMagic’s Logic 5.1.
The lecturers (somewhat misguidedly) filled our heads with the notion that Pro Tools was for audio production and Logic Pro was for MIDI sequencing. One of our first assignments was to produce something using MIDI sequencing and sampling, and so I began to familiarise myself with Logic Pro, for the sake of that task. I quickly realised that Logic was more than capable of sequencing audio (as well as MIDI). Furthermore, I quickly found that I preferred its workflow (over Pro Tools).
