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The Guardian - UK
The Guardian - UK
Lifestyle
Chris Osuh Community affairs correspondent

50 years on from Arts Britain Ignores: how much has changed for black and Asian artists?

Lauryn Pinard arches backward dramatically under red and blue stage lighting
Lauryn Pinard in Sonje at Let’s Dance International Frontiers 2026 in Leicester, hosted by the Serendipity Institute for Black Arts and Heritage. Photograph: Leesha Williams

It is 50 years since cultural historian Naseem Khan’s challenge to the British arts establishment was first published, and the question of who and what counts as British continues to be contested.

The Arts Britain Ignores – Khan’s groundbreaking 1976 report, commissioned by organisations including the then Arts Council of Great Britain, presented a vision of a pluralistic national culture, in which the creativity of Britons of diverse ethnic backgrounds – from bhangra music, to black painters and Ukrainian dance – should be recognised, supported and respected.

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