In an age dominated by Instagram carousels and scrolling feeds, it’s easy to forget the power of holding a photograph in your hands. That’s exactly why I have a passion for photography books, and why I’ve returned to making photography zines.
There’s something irreplaceable about curating a sequence of images, designing pages and creating a tangible object that tells a story on its own terms. Zines force you to finish projects, make editorial decisions and consider pacing, sequencing and scale in a way that no screen can replicate. They’re personal, collectible and deeply satisfying, in addition to expanding what photography can be.
