Where better to be in the midst of Belgium’s biting winter but in the warmth of Lee Shulman’s creation, The House. Cloaked in cosy mid-century nostalgia, the staging of this flagship exhibition at Hangar Gallery sets a fitting scene for Shulman’s collection of found photography, The Anonymous Project. The playful curation features all manner of family snaps from holidays to birthday parties, and sees characters peeping out of kitchen cupboards or lounging on the beach, photographed through the window of a caravan. The effect is a seductive step into the past, even if only the past of your dreams.
All the furniture used in the staging of The House has been sourced from online websites
