The title song to Azniv Korkejian’s fourth album as Bedouine, Neon Summer Skin, recreates a perfect day from childhood. “Being taken to the pool, where my only worry is being dragged away when the sun’s setting,” she says, calling from Los Angeles. “Later on, mom and dad wash me in the tub and put me to bed.” Steeped in dreamy 70s soft pop, the track isn’t merely an exercise in nostalgia. “I wanted to paint a picture of what it’s like to feel safe,” she says. “So much of the record is about not having the luxury to not consider your own safety. I think about this a lot when it comes to the children in Palestine and Lebanon, who are not afforded that right.”
The conflicts that have ravaged the Middle East are context for Neon Summer Skin, but the album’s themes of displacement, identity and insecurity – wrapped in the deceptively soft sound of 1970s-style MOR pop – are also personal. Korkejian’s family are Armenian, but she and her parents were born in Syria, while her brothers were born in Saudi Arabia, where the Korkejians lived, “on a US compound that was like a gated community”, until 1995. That year, unnerved by the proximity of the recent Gulf war, the family successfully applied for the green card lottery and relocated to the US. “And thank God, because we would eventually have had to return to Syria,” Korkejian says. “I don’t know what would have happened to us then.”
