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The Conversation
Jen Webb, Distinguished Professor of Creative Practice, Faculty of Arts and Design, University of Canberra

‘You can’t murder a people and walk away scot-free.’ In The Voyage Home, Pat Barker explores morality in war

Lady Emma Hamilton as Cassandra by George Romney. Wikimedia Commons

The first volume of Pat Barker’s trilogy of the Trojan conflict starts with an epigraph taken from Philip Roth’s The Human Stain: “All of European literature springs from a fight”.

This reduction of the conventional view of war to a mere “fight” acts as a coda for the whole series, establishing an iconoclastic view of war; one that largely ignores the guts-and-glory narratives.

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