For anyone remotely near the worlds of documentary, comedy or medical fraud, there has been one thing on the mind for weeks now: a single-minute clip of Nathan Fielder, the absurdist comedian whose boundary-pushing HBO series The Rehearsal cemented his status as docu-reality’s premier auteur, staring into the deep blue eyes of Elizabeth Holmes, the disgraced founder of the blood-testing startup Theranos. Unblinking, faces inches apart, the famously dry purveyor of harebrained business schemes and the convicted fraudster appeared locked in a battle of wills. “Are you being real right now?” Fielder asked her, in a classically meta bit – could Fielder really have spent years filming a secret documentary with one of Silicon Valley’s most notorious pariahs?
The prospect of TV’s grand illusionist versus emblematic girl-boss scammer seemed potentially too good to be true; buzz for You Can See Everything, Fielder’s furtive documentary co-directed with wunderkind du jour Lance Oppenheim (whose narrative feature debut, the Robert Pattinson-starring Primetime, premiered last month) was such that access to the film’s New York film festival premiere on Wednesday became this fall’s hottest ticket.
