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The Guardian - UK
The Guardian - UK
Entertainment
Clare Brennan

York International Shakespeare festival review – the bard without borders

Debra Ann Byrd in her one-woman show Becoming Othello.
‘Shakespeare is my vehicle’: Debra Ann Byrd in her one-woman show Becoming Othello. Photograph: Robert Wade

Debra Ann Byrd, founder of the Harlem Shakespeare festival, is speaking at an in-conversation event titled My Black Girl’s Journey, companion piece to Becoming Othello, her “living memoir” solo show: “A black friend asked me: ‘Why are you only doing Shakespeare?’” Byrd’s path to the playwright was set after a theatrical agent told her that the colour of her skin would bar her from playing classical roles. Her friend’s question led her to the conclusion: “Shakespeare is my vehicle. He makes a door open in a way not possible unless we have this one thing in common.”

At the sixth York International Shakespeare festival, people from the UK, EU, US, India, Turkey, Japan, Ukraine and beyond share “this one thing in common”. Over 10 days and nights, multinational audiences and artists crisscross barriers, visible and invisible, via performances, exhibitions, concerts, workshops and seminars.

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