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The Guardian - UK
The Guardian - UK
Entertainment
Rhiannon Lucy Cosslett

Yesteryear by Caro Claire Burke review – the downfall of an all‑American tradwife

Caro Claire Burke.
Caro Claire Burke. Photograph: Aiste Saulyte Photography/Aiste Saulyte

Could Caro Claire Burke’s Yesteryear be the first great tradwife novel? This was my hope: finally, a literary response to the unhinged social trend of women cosplaying “traditional Christian values” – pronatalism and obeying one’s husband – to large social media followings. I am not immune to hype, and Yesteryear has been hyped to high heaven, prompting massive auctions for the rights, and landing a film deal with Anne Hathaway.

You have to admit that the premise – Instagram tradwife wakes up in what appear to be the actual pioneer days, and finds that traditional wifedom is not as much of a hoot as her whitewashed social media re-enactment had implied – is genius. As one of the “Angry Women” our heroine Natalie so disparages, I was looking forward to some sweet schadenfreude.

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