In the early 1970s, women in the UK were second-class citizens who had few rights. A woman could not buy or own a property without a male guarantor. There was no equal pay, no maternity rights nor any kind of protections against sex discrimination.
There were no domestic violence shelters, no rape crisis centres and no childcare. And if they were ethnic minority or working class, women suffered even greater inequalities. Unsurprisingly in this climate, women artists – either contemporary or historical – were rarely seen in art galleries and cultural institutions.
It is against this backdrop that Women in Revolt! Art and Activism in the UK 1970–1990 explores two decades of women’s art as activism, protest and fury at the societal dice that was were loaded against them. The touring Tate Britain exhibition, now at the National Galleries of Scotland in Edinburgh, takes as its starting point the 1970 National Women’s Liberation Conference. This was an initiative designed to bring together feminist activists with the intention of developing a shared political outlook.
