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The Conversation
The Conversation
Hyounjeong Yoo, Instructor, School of Linguistics and Language Studies, Carleton University

With KPop Demon Hunters, Korean women hold the sword, the microphone — and possibly an Oscar

When I was a child in South Korea, the New Year often began with a familiar song: “Kkachi Kkachi Seollal.” Seollal refers to the Lunar New Year, one of Korea’s most important family holidays, and kkachi means “magpie,” a bird associated with good fortune and joyful beginnings.

Singing the song, we believed, would invite pleasant guests into the home. For my siblings and me, those guests were usually our grandparents — and their arrival marked warmth, continuity and belonging.

Decades later, I now live in Canada, where distance has made such visits from my home country rare. Yet it feels as though the magpie has arrived again — this time on a global screen.

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