Schubert completed his great song-cycle Winterreise in what was effectively his own last winter; he would be dead just a year later. In this setting of 24 poems by Wilhelm Müller, depicting a man rejected in love and his painful journey across a freezing, stormy landscape, both actual and metaphorical, the singer’s challenge is exploring that balance between vocal and psychological elements.
By his own admission, tenor Ian Bostridge’s engagement with the cycle has long been obsessive. Now, he and pianist Julius Drake – singer as ego and pianist as id, Bostridge’s definition of the relationship – have collaborated with Deborah Warner in creating a staged version and it seems as if all their previous experience – 100-plus performances, different recordings, a film as well as a book – has flowed logically into this powerful and deeply moving piece of theatre.
