The “war on woke” has a new target and her name is the Wicked Witch of the West. If you’re a fan of the musical Wicked, you’ll also know her as Elphaba, the moniker imagined by Gregory Maguire in his 1995 prequel to L Frank Baum’s The Wonderful Wizard of Oz. As played by Margaret Hamilton in the 1939 movie, she was the nemesis of Judy Garland’s Dorothy; as played this year by the musical theatre star Cynthia Erivo, she has conservative men across Britain and America bursting their blood vessels.
Since Maguire came up with his novel – an extravagant piece of fan-fiction that suggests this “witch” might simply have been misunderstood – it has been reinterpreted as a stage musical and now as a movie in two parts. Wicked’s target market consists of teenage girls who see themselves in this backstory for Elphaba and her college-friend-turned-rival, Glinda the Good Witch. In the 21 years since Stephen Schwartz’s adaptation opened on Broadway, the show has been a cult phenomenon among young musical fans, blithely ignored by everyone else. Now the screen version has brought into mainstream conversation and the land of Oz has become a battleground in America’s culture war.
