In the late 1980s Elizabeth Jane Howard was wondering what to write next. Jane, as she was always known, was at that time the author of seven novels. Her debut, The Beautiful Visit, had won the John Llewellyn Rhys prize in 1951 when she was 28 years old and The Long View (1956) was one of the first novels written with reverse chronology. Her talent was somewhat overshadowed in a tawdry world by her drop-dead beauty and by her having briefly been an actor (and by the famous lovers and husbands she walked out on, including Sir Peter Scott, the ornithologist and conservationist, in 1946, and Kingsley Amis, who was then himself a famous novelist, in 1983).
Stuck, she asked her stepson Martin Amis which of two projects she should go for: an updated version of Sense and Sensibility, or a family saga based on her own life? He said, do the family saga. Jane’s family project developed into the Cazalet Chronicles: five volumes in which she fictionalised her life’s experience, divided between three young female cousins, Polly, Clary and Louise, and a cast of 52 more named characters, set between London and a grandparental family home in Sussex.
