When panto goes wrong, the show must always go on. And there is a lot that could go wrong: malfunctioning pyrotechnics, panic attacks, chafing thighs, broken props, broken bones, bruised egos – and that’s before you get live animals involved. Missed cues and forgotten lines are small potatoes by comparison. So with panto season once again in full swing, we speak to seasoned professionals about the exhausting, error-laden, explosive truth behind the most “magical” season of the year.
Adam Buksh played The Genie in Aladdin at Howden Park Centre, Livingston, West Lothian, in 2013
It was halfway through the show when Aladdin got trapped in the cave. Our version was based on the original story, One Thousand and One Nights (not Disney’s), in which Aladdin possesses two magical entities: a powerful Genie of the Lamp (me) and Scheherazade, Genie of the Ring. I was on stage with Aladdin and Scheherazade, using my magic to smash the ring and break the evil sorcerer’s curse. For dramatic purposes, we used a handheld pyrotechnic which was similar to a little lighter with a wheel flint, but made of metal. I would use it to break the ring and free Aladdin from the cave.
