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The Guardian - UK
The Guardian - UK
Lifestyle

When my 70s bar job was a Babychambles

Traditional English pub interior, England, United Kingdom, 1980
One reader remembers the devastation caused by Babycham when they were a barman. Photograph: David Davies/imageBroker/Rex/Shutterstock

Hannah Crosbie writes about Babycham’s potential revival as though it lived up to its original marketing hype as a sophisticated drink for the ladies (Liquid optimism: why Babycham is ripe for a revival, 28 February). As a barman in the 70s, I remember the frequent orders of triple brandy and Babycham. They were often followed by devastation, and I can remember suggesting to the landlord that, if we stopped serving this “alcoholic lemonade”, we’d have less trouble. Unfortunately, my advice was ignored and the fights continued.
Mark Holman-Lisney
Tadley, Hampshire

• The theatre or cinema pipe organ (Letters, 27 February) has almost completely faded from public awareness. Those that remain are mostly in the hands of charities and individuals, including the Mighty Wurlitzer in London’s magnificent art-deco Troxy theatre. Let us ensure that these amazing instruments continue to make their special contribution to the world of popular orchestral music.
John Leeming
Vice-president, The Cinema Organ Society

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