Never underestimate the role of imagery in Christianity’s march toward world domination. Christ crucified on the cross. The Virgin and Child. The Last Supper. The faith would circle the globe and centuries pass before anyone wondered how it was exactly that Jesus ended up a pale white northern European.
I don’t want to credit good graphics for the religion’s entire success; violence was also key, along with a doctrine that sounds good on paper. But compelling visuals, executed by craftsmen like Michelangelo, Raphael and El Greco, were in the top five.
