In an industrial building in north Philadelphia, teal and red fabric used for aerial tricks dangled from the high ceiling. Alyssa Bigbee, the co-founder of the Philadelphia-based International Black Indigenous Circus Week, called on five performers to circle around for the first rehearsal of their circus show titled The Rebellion: Anarchy. “Remember to breathe. Remember to pace yourself,” Bigbee told the group of mostly Black and brown artists. “Lean on each other and feed off of each other in terms of energy.”
As the song Welcome to the Jungle by Guns N’ Roses blared through the space, Bigbee strided up to a lyra, a metal circle resembling a hula hoop suspended from the ceiling. Her body undulated as she looped her legs in and out of the hoop. Artists linked arms and spun each other around. Later, they leaped into the air and simultaneously collapsed on to the floor. A commentary on the current sociopolitical environment since the November presidential election, the performance captured a range of emotions from anger to hope.
