Music conferences tend to follow a similar format: showcases of up-and-coming artists, panels about the business, and behind-the-scenes deals. But between the events and around the corridors of this year’s Bigsound in Brisbane, Australia, there was one topic dominating conversation: how AI was threatening the industry.
Musicians and composers are fascinated by – and terrified of – artificial intelligence, which has the potential to both help artists create, and steal their work. AI is already starting to weave into the everyday soundtracks of our lives, from a new track by the Beatles to Spotify’s “AI DJ”. It’s a new reality that scholars such as Oliver Bown from the University of New South Wales call “the robot soundscape”.
