Once upon a time, I worked as a local reporter in small-town Montana. The job, in which I had to make actual cold calls and regularly attend local council meetings, was extremely instructive; nothing teaches you about the idiosyncrasies of people like showing up at their door and hearing their community concerns. During my time there, we ran several extremely in-the-weeds stories about a rancher’s proposed water bottling plant, which was vehemently opposed by neighbors for its offensive sight and sound (and, secondarily, potential pollution). The details of the fight – and it was a very contentious fight – are hazy now, but the lesson is not: if there is one thing I learned from local reporting, it’s that nothing, absolutely nothing, turns people into the most ghoulish versions of themselves like threats, real or perceived, to one’s property.
I recalled this water bottling brouhaha a lot while watching Neighbors, a brilliant new docuseries on HBO which captures this lesson in its most contemporary, cancerous American iteration better than perhaps anything I’ve ever seen. (Taylor Sheridan’s mega-popular drama Yellowstone, essentially a property rights soap for dads, doesn’t come close.) Over five riveting episodes – the sixth and final premieres tonight – Neighbors takes a hyper-stylized, fish-eye lens to disputes of proximity and the fuzzy limits of personal space. The issues at hand are at once mundane and completely unhinged: a gay couple in Kokomo, Indiana, are furious that their neighbor has built a farm, with its attendant goat smell, in their cul-de-sac; a retired state senator in Texas resents the woman across the street for building a nine-foot-tall concrete “cartel” wall around her house; two tanned, blond women in Florida viciously fight – physically, emotionally, via competing surveillance systems – over a cumulative 35 sq ft strip of grass between their two driveways. It is extravagantly petty, extremely stressful (naturally – executive producers include A24 and Marty Supreme team Josh Safdie and Ronald Bronstein) and often completely unhinged. It is easily the best TV I’ve watched this year.
