Midway through my conversation with Magali Reus, we are interrupted by a courier. They’ve arrived at the artist’s studio to deliver an important package – one of the final components of a sculpture being finalised for Reus’s show Swimming By Night at the Perimeter in London.
The studio is filled with such sculptures, all in various stages of completion. Reus likes to take everyday, often disposable, items – pizza boxes and sardine tins among them – and recreate them on a larger-than-life scale. One of them – vast looming fish hook lures made to look like uncanny cupcake cases or severed skeletal limbs – looms nearby, resting against a studio wall.
