
Pino Palladino first entered the bass world's collective consciousness with his soaring, melodic fretless basslines (sometimes bolstered by a Boss octave pedal) on hits such as Paul Young's Everytime You Go Away, Don Henley’s New York Minute, and Chris DeBurgh's Lady in Red.
Before long, he became one of the most recognizable and imitated fretless players of his generation – and undoubtedly the most mimicked in his genre.