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The Guardian - UK
The Guardian - UK
Entertainment
Dave Simpson

‘We had to dumb ourselves down to fit in’: Squeeze’s Glenn Tilbrook and Chris Difford on finally making the first album they wrote as teens

Squeeze in 1979: from left, John Bentley, Chris Difford, Gilson Lavis, Jools Holland and Glenn Tilbrook.
Squeeze in 1979 … from left, John Bentley, Chris Difford, Gilson Lavis, Jools Holland and Glenn Tilbrook. Photograph: Fin Costello/Redferns

In September 1974, when they were hopeful teenage unknowns in Deptford, Squeeze created a concept album, Trixies, set in a fictional south London nightclub. Believing they had come up with a substantial work, they recorded the 10 tracks on a borrowed Revox tape machine and expected the world to fall at their feet. But nothing happened. “All our friends liked it,” says singer and lead guitarist Glenn Tilbrook, who turned 17 just before the recording. “But that was the only feedback we had.”

The album was shelved, but less than five years later, the band began a run of classic hits, including Cool for Cats and Up the Junction, which had songwriting duo Tilbrook and fellow guitarist and vocalist Chris Difford hailed as heirs to Lennon and McCartney. Now, after recently celebrating 50 years as one of British pop’s best-loved bands, the pair have finally done their teenage vision justice. A fully rerecorded Trixies will be released next March. Taster track, Trixies Pt 1, arrives this week and suggests that all the Squeeze hallmarks of melody, romance and storytelling were there from the beginning, even if few people heard them.

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