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The Guardian - UK
The Guardian - UK
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Zach Schonfeld

Warning: with Back to Black and four Beatles movies, Hollywood’s most cliched genre isn’t going away

Marisa Abela as Amy Winehouse and Jack O'Connell as Blake Fielder-Civil in Back to Black.
Marisa Abela as Amy Winehouse and Jack O'Connell as Blake Fielder-Civil in Back to Black. Photograph: Landmark Media/Alamy

With each passing year, it becomes harder to deny that Walk Hard: The Dewey Cox Story, Jake Kasdan’s 2007 cult comedy about a fictitious rocker’s rise and drug-addled fall, might be the most prescient Hollywood film of the 21st century.

Borrowing liberally from the 2005 Johnny Cash biopic Walk the Line the film skewers rock biopic cliches as mercilessly as Airplane! lampooned disaster movie tropes. Its hero, Dewey (John C Reilly) blames himself for his brother’s death, ascends to fame, falls for a singer who isn’t his wife, rubs shoulders with the Beatles, descends into drugs, goes to rehab, gets clean, and – by the film’s end – makes a triumphant return to the stage.

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