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The Guardian - UK
The Guardian - UK
Entertainment
Andrew Clements

Venice Biennale Musica review – things old, new, borrowed and bleurgh

Timothy and Samuel West as father and son in  The Book of Water by Michel van der Aa, premiered at the Venice Music Biennale.
Timothy and Samuel West as father and son in The Book of Water by Michel van der Aa, premiered at the Venice Music Biennale. Photograph: Courtesy La Biennale di Venezia © Andrea Avezzù

It may not attract headlines the way that its visual art and cinema siblings regularly do, but the International Festival of Contemporary Music has been part of the Venice Biennale family of cultural events since 1930. It now takes place every year across a fortnight in early autumn, and the composer Lucia Ronchetti is its current artistic director.

Music theatre features prominently in Ronchetti’s own list of works, and it was no surprise that she made it the theme of this year’s programme. It was an appropriate theme for a festival in Venice too, for if the city was not actually the birthplace of opera, it played a huge part in the early development of the form.

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