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Frances Fowle, Personal Chair of Nineteenth-Century Art, History of Art, University of Edinburgh

Van Gogh and the Roulins: a family reunion of the artist’s greatest portraits

The Van Gogh Museum’s new exhibition, Van Gogh and the Roulins – Together Again at Last, celebrates an important family reunion. It brings together 14 portraits of the wife and three children of the postman Joseph Roulin – Vincent van Gogh’s closest friend and supporter while he was based in the southern French town of Arles.

The exhibition is a work of art in itself: tightly focused, beautifully designed and accompanied by an excellent catalogue. Additional works and props (such as Roulin’s chair) contextualise the show, but it is the portraits of the Roulins – Joseph, Augustine, 17-year-old Armand, 11-year-old Camille and baby Marcelle – that take centre stage.

Hung in three rooms on contrasting deep blue and orange walls they demonstrate the new direction that Van Gogh’s work was taking during a crucial period of his artistic development.

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