Valeria Golino rolls into her Cannes hotel late, trailing cigarette smoke and apologies. She hasn’t even had time to check in when a publicist steers her into the garden and plumps her beneath an awning. She’s being rained on a little and has to reposition her chair. “Let us sit very close together,” she says, which is lovely when she is still and faintly alarming when she’s not. Her emphatic hand gestures almost take my nose off.
Golino won the best actress prize at Venice (for Francesco Maselli’s A Tale of Love) when she was still a teenager. She has appeared in arthouse European films and Hollywood spectaculars alike. These days she’s primarily known as a film-maker, having played in Cannes with her first two features (Miele, Euforia). I last saw her on screen in Portrait of a Lady on Fire; she’ll next appear in Pablo Larraín’s Maria Callas biopic, opposite Angelina Jolie. In between those films she’s been working. “Mostly three years on one project.”
