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The Guardian - UK
The Guardian - UK
Lifestyle
Morwenna Ferrier

Untie me! Why big bows are everywhere – feminine, ironic and strangely subversive

Red hair bow from Damson Madder

Wuthering Heights is a story about pain, revenge and the Yorkshire moors as a metaphor for bad life choices. But if Emerald Fennell’s forthcoming adaptation is anything to go by, it’s also about bows.

In the two-minute trailer for the film, Cathy wears red bows and black bows, navy bows and pink bows. There are bows around garden pots, and bows around “baddy” Edgar Linton’s throat. Some bows flutter in the fell wind, others are unlaced at speed. In one memorable shot straight from the Jilly Cooper precoital playbook, a pretty white bow is cut from Cathy’s bodice using a labourer’s knife, a moment of unforgivable hamminess were it not incredibly hot. Never mind that Emily Brontë rarely mentions bows in the book; that one is an entire plot device.

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