British arts institutions deployed “kneejerk” and “stopgap” responses in the aftermath of the Black Lives Matter movement as they attempted to avoid criticism for the lack of diversity in their collections, according to the artist Gavin Jantjes.
The South Africa-born artist, who was a key figure during the British black art movement of the 1980s, told the Guardian that under-pressure organisations approached him to buy work that they had ignored since it was made decades earlier.
