Neil Jordan, director
I met Angela Carter in 1982, while we were in Dublin attending a week celebrating the centenary of James Joyce’s birth. She’d written a script based on a short story of hers called The Company of Wolves, itself an adaptation of Little Red Riding Hood. It wasn’t long enough for a feature film but I proposed a kind of portmanteau structure, with a girl dreaming herself as a fairytale character and her dream grandmother telling cautionary tales. In that way, we could incorporate elements from other traditional tales in Angela’s collection The Bloody Chamber.
