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Belinda Castles, Lecturer in Creative Writing, University of Sydney

True writing is a convulsive act: inside the mind of Elena Ferrante

Gaia Girace and Margherita Mazzucco in the television adaptation of Elena Ferrante's novel My Brilliant Friend (2018) Image: IMDb

Where does great writing come from? How does the reading of writers shape their work? Perhaps the great writers are true originals, free from influence?

For many readers of Elena Ferrante’s celebrated novels of the relationships between girls and women, her stories are so distinctive they appear to have arrived fully formed. In the essays collected in her latest book, though, she offers a compelling account of the vital role her reading has played in the creation of her work.

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