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The Guardian - UK
The Guardian - UK
Samantha Hodder

‘True crime works best in audio’: a podcast critic reveals the ‘five Ps’ that are guaranteed to grip listeners

A man wearing headphones looks at a laptop, shown in a collage with images of a car with Virginia plates reading SPLBERG and a soccer goal

There’s a mistake that’s often made in documentaries. A well-meaning director has secured fantastic access and shot full-frame footage for an almost unbelievably true story. The film unravels with pacing that maximises suspense set to an arresting soundtrack. But then, amid all this actual footage, a disembodied actor or celebrity appears as the narrator. They technically do a good job but what are they doing in this story?

Here’s the key difference with true crime audio; the person telling you the story, who you will spend upwards of five hours with, is someone intimately connected to the story. They have a reason to be there, and within the first couple of episodes, they explain why.

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