Come for Modern Family star Jesse Tyler Ferguson’s waspish performance as Truman Capote, stay for Paul Farnsworth’s magnificent, immersive set. In Rob Ashford’s staging of Jay Presson Allen’s almost-monologue, the audience is seated around a sumptuous evocation of the writer and social gadfly’s overstuffed New York apartment.
We’re fleetingly acknowledged as he gossips and kvetches on the phone or into a tape recorder for his biographer. He’s haunted by The Swan (Charlotte d’Amboise), a lean and chiffon-skirted avatar of the wealthy society women he befriended and has just betrayed, in a 1975 Esquire excerpt of his never-finished tell-all novel. This is an extremely clumsy device, but it does mean the programme carries a delicious credit for a “standby swan”.