In the opening scenes of the 2022 Cannes Palme d'Or winner Triangle of Sadness, the gender pay gap comes up for scrutiny. But not, perhaps, in the way you'd expect.
Ruben Östlund's satire about the fashion industry and the uber rich begins with a lovers' quarrel in a restaurant between two models – the bill arrives and they argue over who should pay it.
The pair is exceptionally well-cast.
